Sunday, February 10, 2019

The Overstory



Richard Powers, The Overstory, WW Norton & Company, 2018.

NEELAY MEHTA

     He works for months on a role-playing space opera slated to be his greatest giveaway yet. The graphics are sixteen-bit high-res sprites, come to life in sixty-four glorious colors.  He heads out on a hunt for surreal bestiaries to populate his planets.  Late one spring evening he winds up in the Stanford main library, poring over the covers of golden age pulp sci-fi magazines and flipping through the pages of Dr. Seuss. The pictures resemble the mad vegetation in those cheap Vishnu and Krishna comics from his childhood. [108]

DOUGLAS PAVLICEK

     He's missed the complimentary continental breakfast by four hours.  But the clerk sells him an orange, a chocolate bar, and a cup of coffee, three priceless tree treasures that get him to the public library.  There he finds a librarian to help him research. The man pulls several volumes of policy and code off the shelf, and together they search. The answer isn't good.  Thing Two, that loud bastard, was right. Planting seedlings has done nothing but green-light more colossal clear-cuts. It's dinnertime when Douggie accepts this fact beyond all doubt.  He has eaten nothing all day since his three tree gifts. But the idea of eating again-- ever-- nauseates him. [187]
    He doesn't leave Portland right away.  He heads back to the public library, to read up on guerrilla forestry.  His old librarian friend there continues to be more than helpful.  The man seems to have a little thing for Douggie, despite his aroma. Or maybe because. Some people get off on the loam.  A news story of an action near the Salmon-Huckleberry Wilderness gets his attention-- an outfit training people how to blockade logging roads.  [206]

PATRICIA WESTERFORD

     Journal articles have always been hard enough.  Her years as an outcast come back to her each time she writes one, even when she's only one of a dozen coauthors. She feels even more anxiety when others are on board.  She'd sooner retire again than inflict on those beloved colleagues anything like what she once suffered. Yet even journal articles are a walk in the woods compared to writing for the public.  Scientific papers sit in archives, matters of indifference to almost everyone.  But this millstone book; She's sure to be mocked and misunderstood in the press.  And she'll never earn out what her publisher has already paid. [219]

ADAM APPICH

     He squeezed through a channel in the milling crowd, alongside the People's Library.  He can't help grazing the shelves and bins. There's Milgram's Obedience to Authority, marked up with a  million tiny marginal words. There's a collection of Tagore. Lots of Thoreau, and even more copies of You vs. Wall Street.  Free circulation, on the honor system.  Smells like democracy to him.
      Six thousand books, and out of all of them all, one small volume floats up to the surface of its heap like a fossil coughed out of a peat bog. The Golden Guide to Insects.  Bright yellow-- the only real edition that classic ever had.  In shock, Adam picks it up and opens to the title page, ready to see his own name gouged there in smudgy no.2 all-caps balloons.  But the name is someone else's, inked in Palmer Method cursive: Raymond B. [427]

DOROTHY CAZALY

     The knock gets faster and louder.  She crosses through the living room, reviewing in her head the defense of their property rights that Ray has helped her prepare.  She has spent days at the public library and the municipal building learning how to read local ordinances, legal precedent, and municipal code.  She has brought back copies to her husband for explanation, one stunted syllable at a time.  She has pored through books, compiling stats on just how criminal mowing, watering, and fertilizing are, just how much good a reforested area and a half can do. All the arguments of sanity and sense are on her side. [468]

COMMENT

      The nine main characters in this novel use libraries in various ways that turn out to be pivotal to their life stories. The Dr. Suess book used by Neelay, the computer game designer, is pretty clearly The Lorax; Two of the characters use the library for civic engagement to investigate laws and policies, leading to acts of civil disobedience in defense of trees; The small-town librarian is portrayed as helpful, and maybe even a bit  conspiratorial in support of environmental activism; At the Occupy Wall Street library, an explicit metaphor for Democracy, one character reconnects with his childhood innocence, which leads him to an act of noble self-sacrifice.

     In her evaluation of the academic library Patricia, a field biologist, describes the contrast between unreadable scientific information and the stories that people tell to actually make sense of the world understand (another character, a psychologist named Adam Appich,  makes the same point from a different perspective), and a third storyteller is not a library user but a mystic who hears the voice of the trees directly without the filter of  science or human interpretation.

     These libraries are not just incidental plot devices.   In the narrative they offer enlightenment. The the library is almost like an oracle, offering up a book or new article that shows the next step.  This book is not anti-science, but one of the themes is about information--  laws and policies can be wrongheaded and scientific prejudices can prevent people from connecting with the mysteries of the world around them.  Nonetheless, the truth is there for people who take time to do their library research.
      

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