Thursday, February 7, 2019

One Elf's Path

Jenifer Schuessler, "One Elf's Path: Turning Satire Into a Legacy, New York Times, p. C1.
     Now [David] Sedaris has sold his archive to the Beinecke Rare Book & Manuscript Library at Yale, where his manuscripts, drafts, notebooks and other scraps will be part of the library's rich holdings relating to social satire from the likes of Gary Trudeau Saul Steinberg, David Rakoff and Mark Twain.
     The more than 150 volumes of Sedaris's complete diaries will be off limits during his lifetime. (A second volume of excerpts is in the works.) But the archive contains some three dozen other handmade books from his prefame years that hint at their visual and tactile richness.
      Timothy G. Young, curator of modern books and manuscripts at the Beinecke, said the archive showed the years of exploration it took Sedaris to become an "overnight" sensation. 

COMMENT 

     Before I started to collect library stories I did not realize how newsworthy archival acquisition can be.  If I were not reading through the limited perspective of librarianship, I would have read this article as primarily a biographical story about the writer David Sedaris and  his career as a humorist.  In library terms, though, the story is about archiving, and the newspaper article itself becomes part of the biographical archive. 

  The particular collection includes juvenilia.  Apparently as a second grader Sedaris was already showing the talent that would lead to his future career.  Between 1984 and 1990, he made unpublished art books for his friends.  He didn't get famous until he  broadcast "The SantaLand Diaries" in 1992.

   Fame, in other words, is what specifically attracted the archivists since the Beinecke is collecting around a theme of social satire.  It's not always obvious how or where to place limits on what libraries collect.   How do you know now what will be valuable to the future?   In different ways, journalists, librarians, and authors are all engaged in a process of  creating a historical  narrative.  The "manuscripts, drafts, notebooks, and other scraps" that were said in this collection would just be  debris in dusty boxes unless  someone thinks they are  interesting enough to put them into a story. 
     

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