Kelly Jensen, "Anti-Critical Race Theory Parents fight The Hate U Give," book Rion, August 10, 2021. https://bookriot.com/the-hate-u-give-challenge/?fbclid=IwAR3xZMSlv3isO98FaNDjN_BxJ_A3708MG1uTShFYKHpVh_Y6mR5fUUEqZdQ

In most parts of the US, if public schools aren’t back in session, they will be soon. If fights about masking or not masking during a global pandemic and rise of the COVID-Delta variant weren’t enough, nor were protests against access to inclusive sexual education material, now teachers and librarians have to fight a third front. Opponents to Critical Race Theory (CRT) are flooding school and library board meetings, hoping to squash use of titles that explore anti-racism. Angie Thomas’s award-winning debut The Hate U Give is one such title under the spotlight by anti-anti-racism activists in Putnam County, New York.

...

The Hate U Give is no stranger to criticism, having been on the American Library Association’s most challenged list since its publication in 2017. Reasons for its continual challenge include it being “‘pervasively vulgar’ and because of drug use, profanity, and offensive language.” 

COMMENT

Librarians are in the role of defending a book from angry parents and maintaining a list of banned books.  Without saying it in so many words,, the article makes it clear that the censors have not read "The Hate U Give" but then again, censors almost never seem to have actually read the books they object to. 
 

 

Oh, Dewey, Where Would You Put Me?

 Jess deCourcy Hinds, "Oh, Dewey, Where Would You Put Me?" (Modern Love) New York Times, June 6, 2021, p.ST5.

I was busy starting a new library from scratch for a public school in Queens. Wondering is Stefan would support my career, I joked to him that my weekends were "booked."  He smiled and offered to help.  Our first excursion took us to a deceased professor's estate in western Massachusetts, where we spent 14 hours loading 3,000 dusty books into a fleet of U-hauls to bring to the new library. 

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My school library grew, and I cataloged thousands of volumes in Dewey.  Melvil Dewey, creator of the  1876 classification system, was no hero, having withdrawn from the American Library Association after numerous accusations of sexual harassment. He was forced out of the New York State Library for racism and anti-Semitism. 

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Before I moved in with Stefan, I donated books that reminded me of my exes to my school library.  I donated film books from my filmmaker and actress girlfriend of almost four years, and the nautical books from my boatbuilder boyfriend who lived in a lighthouse.  I let go of old heartbreak by setting my exes books free among thousands of other volumes in my library to circulate.  Every few years, I bump into them like old friends and reflect on how loving this man and woman prepared me to love Stefan, who knew my story from the beginning and always accepted me.  

COMMENT

This tale of Modern Love is by a bisexual woman who wonders where she fits into "queer"  after marrying a man.  She describes building and cataloging a school library based on book donations.  This used to be a common way to build libraries, but in the digital age, many libraries decided that older print books weren't worth the trouble.  This particular librarian, however, finds personal value in donations that represent memories of past lovers.  Since her home bookshelves are no longer an appropriate place to preserve such memories, she keeps the memories safe in the library.  This access to books that are part of one's past is an important function of library collections.   You never know when it might be time to revisit something you thought you'd never read again. 

Shelf Lives

 Min Jin Lee, "Shelf Lives", New York Times Book Review,  April 18, 2021 p. 1, 20-21.

     On a day off, Uncle John went to the New York Public Library to check the classifieds.  He noticed that computer programmers had high starting salaries, so he borrowed books on programming.  the former history graduate student read library books on computer science.  Not long after, he got a job at an insurance company, then, later, I.B.M. hired him as a programmer, where he worked for most of his life.

     In 1975, Uncle John, now an I.B.M. company man sponsored his younger sister's family to immigrate from South Korea.  A year later, we came to Elmhurst, Queens, where Uncle John, his wife and their two American-born daughters lived.  I was 7.

     In our first year in America, Uncle John took my tow sisters and me to the library in Elmhurst and got us cards.   We could borrow as many books as we liked, he said.  We loaded up our metal grocery cart with its tilted black wheels and white plastic hubs.  It creaked all the way home.  

COMMENT

    This single narrative tells a complete immigrant story.  The public library is the pathway to a better job, which enables Uncle John to sponsor other family members to come to America.  In the article Min Jin Lee, reminisces about the library books she read as a child and what they taught her about "the ethos of American rugged individualism and the Korean quest for knowledge.  Based on what she learned from years of reading, she is writing a series of novels about Korean Americans, so just as it did for Uncle John, the library also provided a vocation for the author.

Library association awards Carnegie medals to McBride, Giggs

 

Hillel Italie, "Library association awards Carnegie medals to McBride, Giggs" Washington Post, February 4, 2021.  https://www.washingtonpost.com/national/library-association-awards-carnegie-medals-to-mcbride-giggs/2021/02/04/5a82f238-6735-11eb-bab8-707f8769d785_story.html

NEW YORK — This year’s winners of the Carnegie medals for fiction and nonfiction, presented by the American Library Association, have each checked out a few books in their time.

“I work from libraries a lot, and my wallet is full of library cards,” says Rebecca Giggs, an Australian author whose “Fathoms: The World in the Whale” received the nonfiction prize Thursday.

James McBride, the fiction winner for “Deacon King Kong,” has library cards in four different cities and wrote parts of his novel in branches in New York City and Philadelphia.

“In New York you can get anything you want but it takes longer because you can’t leave the library with them. But in Philly, you can,” explained McBride, whose novel last year was chosen by Oprah Winfrey for her book club.

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McBride and Giggs each have strong childhood memories of libraries. McBride, a longtime New Yorker, would visit them often because they were a “safe space” and because his family couldn’t afford to buy many books. Giggs remembers her mother getting into aerobics “in a big way” and , a few nights a week, dropping off her and her sister at a library next door to the workout space.

Ghost stories were a favorite.

 

COMMENT

Authors describe using libraries as a workspace and to check out books.  

 

 

 

 

Inside the List

 Elisabeth Egan. Inside the List. [Angie Thomas].  New York Times Book Review, February 7, 2021, p.20.

     Suddenly, my editor texts to tell me that Dr. Jill Biden shouted me out at the American Library Association midwinter conference!  She said she just bought 'The Hate U Give."
     Thomas consulted social media, where she'd been tagged by teachers and librarians and was able to see a video clip of the moment.  She said, "What shocked be was, this novel about a 16-year-old girl dealing with police brutality found its way into the hands of the first lady of the United States.   Had you told little Angie that 20-something years ago, she wouldn't have believed she wrote something that made it that far-- that this little Black girl in Mississippi whose family sometimes didn't know if they would have food would have a book in the White House."

COMMENT

     Teachers and librarians have the ability to promote worthy books.  In this issue of the NYT Book Review, "The Hate U Give" is #4 on the Children's Best Sellers list, with 204 weeks on the list.   Clearly, Thomas' book  already made a huge impact even before Dr. Jill Biden mentioned it in her keynote.  Still, the knowledge that the first lady has read the book offers a hopeful chance that it's message might result in actual social change. 

American Dirt is Proof that the Publishing Industry is Broken

David Bowles, "American Dirt is Proof that the Publishing Industry is Broken, New York Times,  January 27, 2020, https://www.nytimes.com/2020/01/27/opinion/american-dirt-book.html

     The white saviorism is tough for me to swallow, and not just because I’m a Chicano writer critical of “American Dirt.” My hometown library was chosen in late 2019 to be part of a pilot partnership between Oprah’s Book Club, the American Library Association and local library book groups. The libraries would receive several boxes of books to use with patrons in their book club, as well as other discussion and promotional materials. 

     Last week I was in touch with Kate Horan, the director of the McAllen Public Library here, via phone and email. She told me she felt “excited and honored” by the news, “proud that our library on the border with Mexico was recognized and selected to be part of a new initiative.”

     No one at the library knew which book had been selected: Ms. Winfrey keeps titles a tightly guarded secret. But Ms. Horan was told that it would be “the most talked about book of the year.” Instructions were given: Upon arrival of the shipment, the library should film an “unboxing” video and submit it to Ms. Winfrey.

     The boxes arrived on Jan. 17. Upon opening them, Ms. Horan said, her “heart sank,” and she immediately recoiled at this “deliberate assumption that libraries on the border, who were selected to receive the books, would be automatic endorsers, given the subject matter.”

     She sent the unboxing video off, and after two agonizing days consulting with her predominantly Latinx staff and others, she decided to send the books back, and politely declined to participate in the pilot program.

COMMENT

   This is a sticky issue and not as simple as the op-ed writer wants it to be. Accusations of "cultural appropriation" seem to me to be a red herring.  The real problem with the "American Dirt"  seems to be that it has been heavily marketed as your next book club read yet according to to the critics (who all dutifully reviewed it), it's not actually very well researched or written.

    In many of the library stories I've collected on this blog, readers describe a transformative experience of finding people like themselves in the pages of library books.  It's a reasonable guess that people in the U.S. borderlands might enjoy reading a novel located there. At the same time, I remember hearing a librarian complain that when she gathered books for imprisoned black men people would donate "Black Like Me," which is actually an autobiography about a white man traveling through the South in blackface, albeit with an intention for the reader to develop empathy for "the other."   The publishers who promoted "American Dirt" similarly thought the novel might promote white empathy by focusing on a Mexican woman who is a lot like a middle class white American woman. The virulent anti-immigrant rhetoric coming from the Trump administration  suggests that now might be the right moment for such a novel.    Positive reviews on Amazon.com indicate that it might even be successful in generating empathy for migrants.  

     Should the librarian have sent the books back?  I assume that the library does offer "American Dirt" for anyone who wants to borrow it.  It's certainly not censorship to pick a different book for a book club.  I agree with the op-ed, though, that the misstep reveals a big problem with centralized book publishing and library acquisitions.  The publisher's marketing division, Oprah's Book Club and ALA missed the mark largely because nobody working there stopped to think that Latinx readers were never the target audience for this book. In fact, it seems unlikely that Oprah (a Black woman originally from Mississippi) is ever going to develop a reading list that is particularly sensitive to U.S. borderlands readers.  The reaction of Latinx library staff suggest that they would really love to have a book club that highlights their own region, featuring  people and situations that are more like their own experience instead of getting stereotyped by someone far away.  That's exactly why libraries need to pick their own books instead of outsourcing those decisions.

I've actually written an article about this:  "Re-Localizing the Library: Considerations for the Anthropocene.