The Handmaid's Tale

Margaret Atwood, The Handmaid's Tale (1986). 

I worked transferring books to computer discs, to cut down on storage space and replacement costs, they said. Discers, we called ourselves.  We called the library a discotheque, which was a joke of ours.  After the books were transferred they were supposed to go to the shredder, but sometimes I took them home with me.  I liked the feel or them and the look.  Luke said I had he mind of an antiquarian.  He liked that, he liked old things himself. 

COMMENT

     It seems that before the repressive Gilead theocracy took over Offred had a job at a library.  Notwithstanding her prowess at Scrabble, she was para-professional staff, not a  librarian. The detail of the library job shows Atwood as a master satirist.  Offred herself has been an  book-burner, albeit an inadvertent one.  Now the book burners are in charge and the world is a total nightmare.  The digitized books did not survive regime change, and this, along with the lack of paper money and elimination of newspapers has helped  fanatics suspend the Constitution. Libraries have been burned, there are no computer connections and women are forbidden to read.

    In the afterword a group of historians discuss Offred's narrative and describe how it had been recorded orally using an already obsolete technology of musical tape cassettes.   In order to transcribe them, the historians-of-the-future have to reconstruct a tape player.  

   Atwood's awareness of library preservation formats is extraordinary and prescient.   Oppression of women has left a gap in the historical record for Gilead scholars, but so has the use of non-archival digital technologies.

    

Here to Help

Tik Root, "Here to Help: One Thing You can do to Slay the Energy Vampires," New York Times, November 1, 2019, p. A3.

Another option is a Kill-a-Watt meter, which measures how much energy individual appliances are using.  they're available at most hardware stores and can sometimes be borrowed at public libraries.

COMMENT

   The library is not just for books any more! It's also a place where you could possibly borrow a  single-use tool in order to help cut energy consumption.

In the Land of Self Defeat

Monica Potts, "In the Land of Self Defeat,"  New York Times, October 4, 2019.

The fight over the pay for the new head librarian had a larger context: The library moved into a new building, with new services, in 2016. Construction began during the natural gas boom years, and ended after the bust, just as the county budget was being squeezed and services were being cut. During the boom, the new building had seemed necessary, but with the revenue decreases, the county knew it was going to have a hard time paying the 2.1 million still owed on it. (Disclosure: My mother was on the library board when some of the decisions about the new building were made.) The library made its own budget cuts, but the savings weren’t enough to cover the shortfall in paying for the building, and there was a real danger of the library closing, leaving its new, hulking brick building empty. The people who didn’t frequent the library argued that the community didn’t really need it anymore, anyway. After all, if you have internet, you can get whatever you want in a day. 

COMMENT

In this article the public library serves as a synecdoche for community that is undermined by anti-tax zealotry.  The author writes that anti-tax Trump voters "view anyone who is trying to increase government spending, especially to help other people, with disdain, even if it ultimately helps them, too."  She notes that people who would like to live in a place with better schools and good public libraries have already moved away leaving behind a group of people wedded to an ideology of self-defeat since without community services to fall back on all of them are much poorer.

The library building was built with boom-and-bust resource extraction money.  It's typical that a community would overspend, expecting the boom to go on forever.  It never does.  Politicians like to pretend that fossil fuel extraction is economic development.  In fact, extractive industries is a good way for rich people to make money specifically because it employs relatively few people and isn't permanent in a community and therefore doesn't have to worry about long-term community relationships.  They always go bust in the end and always seem to leave behind damage to the environment and economy.

Original Man

Michael Schulman, "Original Man Why Do So Many Directors Want to Work With Adam Driver?" New Yorker,  October 28, 2019, pp 54-63.

"One time he snapped so sharply at a student who had used his yoga mat that he reduced the guy to tears. "I was, like, I gotta be better at communicating," he said.  He holed up at the performing-arts library and read plays by David Mamet and John Patrick Shanley, and found that drama helped him express his roiling emotions."

COMMENT 

The library as refuge and self-directed learning for a student destined to become a well-known actor. The library provides a foundation for an unlikely career. 

Chen Wei Guo's Killer Has Been Extradited to Colorado, Charged with Another Murder

Stephany Cortez, "Chen Wei Guo's Killer Has Been Extradited to Colorado, Charged with Another Murder," The Utah Chronicle, V.29 No. 11, 2019 p. 9.

     The next day, Oct. 30, 2017, Austin Boutain was recognized by a librarian at the Salt Lake Public Library, after more than 200 officers and FBI agents conducted a lockdown to find the culprit and assure students were safe on campus.  Boutain pled guilty to two felonies: attempted aggravated murder and aggravated kidnapping, which qualifies for the death penalty in the state of Utah. 

COMMENT

     Vocational awe, anyone?  Though no part of this story is actually surprising.  It's not surprising that a fleeing murderer would go to a perceived safe space in a public library.  It's also not surprising that a librarian there had been following the news and was able to recognize the suspect. 

A Dusty Artifact Shows the Reach of a Social Reformer

Hillary Howard, "A Dusty Artifact Show the Reach of a Social Reformer," New York Times, August 25, 2019, p. Y29.

     The trunk had sat in the library of a midtown Manhattan acting school for decades.
No one seems to have ever fully rifled through its contents save for a researcher her and there, said Whit Waterbury, an archivist and librarian at the Neighborhood Playhouse, the conservatory where Robert Duvall, Jeff Goldblum and Allison January trained.
...
     At first, he didn't think much of the dusty thing, with its fragile binding and fading yellow ribbon on the outside.  He set it aide to focus on documents more clearly related to the school and its founders... But then last spring, he actually flipped thorough its pages.  There was Eleanor Roosevelt's signature. And Amelia Earhart's. The journalist Jacob Riis wrote a nice note. So did Alfred E. Smith, a four term governor of New York.
...
     Last year, for its 125th anniversary, Henry Street Settlement introduced a permanent exhibition, which covers the history of the organization, and of the neighborhood it serves, at its headquarters.
      Officials there have plans to digitize the book and incorporate it into the exhibition. 

COMMENT

   Once again, the tale of hidden treasure in dusty archives,   The word "dust" covering the potential on unnoticed texts, in this case, a guestbook for Henry Street Settlement signed by many notable people and demonstrating the historic importance of the organization.   One person is quoted as saying, "The trunk was something out of Narnia."   Whoever put it in the trunk must have had a sense that it was worth keeping, but since it was in the box they could never have imagined how it would raise that spooky sense of touching history for people in the future.

     Now the guestbook will be digitized, which is to say, it will become an online representation of official history.  Digitization is an odd paradox.  The electronic version will be easier for more people to see, but it won't inspire comparisons with Narnia.  It's inevitable that some of the magic will be lost in translation. Digitization also means selecting the most interesting artifact out of the box, but better access for this single object paradoxically makes it less likely that someone will find something amazing and wonderful than sorting through paper objects stored in a dusty box.

Life Goes On

Thessaly La Force, "Life Goes On" (Notes on the Culture), T: The New York Time Style Magazine, August 18, 2019 p. 98-

     Unbeknownst to [Judy] Chicago, Mary Ross Taylor, one of the administrators who then ran Chicago’s feminist nonprofit, Through the Flower, which had raised funds for the work’s completion and later it’s resuscitated tour, wrote to the Smithsonian Institution’s Archives of American Art asking if it would be interested in acquiring the research material relating to the piece ["The Dinner Party"].  They declined, finding the material of no interest. Today, Chicago’s archives are stored across three libraries: the Schlesinger Library of the History of Women in America, which is part of Harvard University; the National Museum of Women in the Arts; and Penn State University.  She is also working with these institutions to build a digital portal of her complete oeuvre, which she plans to unveil later this year.

COMMENT

     It always makes a good story when a library turns down material that turns out to be historically important.